We’ve received so much feedback on very few other posts recently. Here’s what the Swisswatches community thinks of the new Omega Speedmaster 38.

With 71 official brands (alongside many unofficial brands) exhibiting all over the city of Geneva during this easy-going fair, it was hard to see everything. But don’t worry, we have you covered when it comes to the independent scene, a particularly creative sector of high watchmaking. Here we take a look at 15 of the best independent watches we saw, seven of which come from AHCI members.
The heart of the independent scene is – and always has been in the modern era – the AHCI (Académie Horlogère des Créateurs Indépendents/Horological Academy of Independent Creators), a group of independent creators founded in 1985. The products of these 30-odd watchmakers of varying age and nationality are rare, as is the passion and personality that goes into each extremely limited timepiece.
An A.H.C.I. member since 2000, Vianney Halter became famous for his progressive style of watchmaking at a time when traditional watchmaking still ruled the roost, with his most famous watch being the highly covetable Antiqua. Of late, his career has experienced a second wind with a multitude of collaborations, though until now he had not yet done one with a very big brand.
Enter Bulgari, who introduces its second collaboration with an independent maker following 2020’s LM FlyingT Allegra and 2025’s titanium Serpenti with Max Büsser’s MB&F. This is the first such collaboration in the Octo Finissimo line. The joint design by Bulgari’s product creation executive director Fabrizio Buonamassa Stigliani and Halter expresses a “retrofuture” in the style of Halter’s early works that combines both the identities of the famous LVMH-owned brand and the independent watchmaker.
The watch retains its well-known geometric proportions while offering the signature multiple dials and characteristically shaped blue hands Halter is generally known for. This 40.5 x 9.7 mm titanium (30 pieces) or sandblasted rose gold (15 pieces) watch is powered by Bulgari’s automatic Caliber BVF 200 with additional modules developed for the collaboration to integrate GMT, date, and day/night functions. A micro rotor engraved with Vianney Halter’s signature winds the movement.
Founded and led by AHCI-member Felix Baumgartner and designer Martin Frei in 1997, Urwerk is known for progressive watchmaking. At Geneva Watch Days, Urwerk introduced the UR-150 Golden Scorpion, a surprising new interpretation of the rather technical UR-150 in a 2N yellow gold case in a limited edition of 25 pieces.
“I never design a watch as a static object,” Martin Frei, head designer and co-founder of Urwerk, explains. “I seek to create a form that changes with the angle, the light and the movement of the wrist. With the Golden Scorpion, yellow gold behaves almost like an optical material. It reveals certain lines, makes others disappear and constantly renews the perception of the watch. Depending on how it is viewed, it can appear compact, fluid or almost organic. That visual instability is what interests me: the object remains the same, yet it never presents itself in quite the same way.”
The UR-150 Golden Scorpion is powered by automatic Caliber UR-50.01, an ambitious mechanism designed to keep the satellite display of hours and retrograde minutes accurate with a cam-and-rack system coupled with a speed regulator; this replaces Urwerk’s Maltese cross system, which we have come to know over the years. Very legible, it is also uncompromisingly complex under the surface.
Few watchmakers understand watchmaking’s past like Antoine Preziuso, who joined the AHCI in 1996. In fact, his career has pretty much been based on his many years in restoration.
Therefore, it is hardly surprising that Preziuso would make a wristwatch rooted in heritage; the inspiration for it is his own Tourbillon Imperial pocket watch powered by an ébauche designed in 1928 at the École d’Horlogerie in the Vallée de Joux. Preziuso has deliciously translated the aesthetics and spirit of this unique pocket watch into a stunning, contemporary wristwatch powered by a manually wound movement with 120 hours of power reserve and hacking seconds that is absolutely riddled with high-end finishing. The hand-engraved 18-karat gold dial is directly inspired by the Tourbillon Imperial.
The 38 x 11 mm Antoine Preziuso Heritage Horloger is limited to just 40 pieces: 20 in yellow gold and 20 in platinum.
Vincent Calabrese is the inventor of the Corum Golden Bridge’s “baguette”-shaped movement, but perhaps more importantly the co-founder of the AHCI, which he and Svend Andersen called to life in 1985. This was a time when the term “independent watchmaker” hadn’t even existed. MB&F founder Max Büsser’s great admiration for Calabrese led him to pay tribute with this watch, which the company clearly says is not a reinterpretation, but rather practically a reproduction in a M.A.D. case. The intention was to preserve the Baladin as is, a watch showing the time with fluid wandering hours.
Nonetheless, the M.A.D. team had to redevelop the wandering hours module, which now works atop a specially optimized La Joux-Perret G111 base calibre. Visually, the watch is a balance between reinterpretation and respect, and MB&F says it is very much about recognition for the watchmaker’s place in the independent scene. The case was designed by longtime MB&F Friend, designer Eric Giroud.
Two editions have been launched, Blue and Pink. The Blue edition is available through a raffle system, while the Pink edition is reserved exclusively for MB&F Tribe Members and Friends.
Developed for Russian cosmonauts and tested on four spacewalks, this is a surprisingly normal-looking watch that AHCI member Konstantin Chaykin conceived as a professional instrument. Now it arrives in a version adapted for everyday wear. Chaykin is particularly well known for his unusual Wristmons, which look a lot like faces and characters, though this genius watchmaker has invented many other crazy and thoughtful timepieces over the course of his career.
On the world-premiere SC02C, which arrives in a limited edition of 28 pieces, every design element serves a practical purpose. The deep black dial with three counters, large hands and hour markers ensures excellent legibility, while the red tip of the hour hand facilitates the use of the rotating bezel’s 12-hour scale. The space program led to the development of a special sapphire crystal mounting system based on a reverse “dovetail” construction as well as a case designed to operate in high-vacuum conditions. An antimagnetic cover was added to protect the movement against magnetic fields up to 4,800 A/m.
At the heart of the SC02C is hand-wound Calibre K.20-5, based on a substantially modified Poljot 3133. It incorporates 60 components manufactured by Chaykin in-house, including a 12-hour counter mechanism, a balance with micro adjustment via weights, and a damping ring providing additional protection for the movement.
I am beginning to call Vianney Halter the king of collaborations, though until Geneva Watch Days 2026 it was unusual for him to have two such watches at one fair.
However, in all fairness, the Beauregard Ulysse Saint-Pétersbourg is already the second version of the Ulysse, which was originally introduced two years ago in April 2024. Canadian lapidary artist Alexandre Beauregard collaborates with his friend Halter, who supplies the movement. This watch represents a journey (“Ulysse” is the French name for “Odysseus”): it is not only Beauregard’s first collaboration, but also his first male-oriented timepiece. This is an unconventional, decorative watch with a bold dial inspired by the golden age of St. Petersburg as a tribute to Fabergé with 86 perfectly carved and positioned gemstones.
Halter contributes the movement to the ten-piece limited edition in the form of his automatic Caliber U30A, which boasts his signature transparent mystery rotor so we can see the beauty of the mechanics, including 30 transparent bearing jewels (synthetic corundum instead of the more typical ruby); beautifully polished and decorated German silver plates and bridges; and an exceptional degree of finishing and bevelling. This beauty with absolute cult factor and a 56-hour power reserve comes in a 41x 9.35 mm rose gold case.
If the De Bethune DB25 Digitale looks familiar, there is a good reason for that: the first iteration appeared in the DBS Digitale of 2006, and a lot of its more modern attributes were already presented in a DB28 case back in 2014. And while the latter version with its perfect white guilloché dial, central moon phase, and ultra-comfortable floating lugs seemed perfect, that’s only because we hadn’t seen this DB25 yet.
The De Bethune DB25 Digitale is indeed perfection incarnate with dial elements that include the random guilloché on blued titanium inspired by the waters of Lake Geneva, classic barleycorn guilloché surrounding that and holding the minute display at 6 o’clock, and a blued titanium starry night around the periphery. The central three-dimensional moon made of palladium and flame-blued steel is accurate to one lunar day every 1,112 years.
The sapphire crystal case back reveals third-generation hand-wound Calibre DB2144, which is dominated by a high-polished titanium deltoid bridge decorated with random guilloché in the centre. It also features De Bethune’s patented movement components: self-regulating twin spring barrels that provide five days of power reserve, a titanium-and-white-gold balance wheel, De Bethune’s own balance spring, and a triple pare-chute shock-absorber. This incredible jump-hour watch is housed in a 42 x 11.9 mm mirror-polished titanium case that wears like a dream. Even without floating lugs.
At Geneva Watch Days, Ferdinand Berthoud presented an extension of the GPHG Chronometry Prize-winning Chronomètre FB 3SPC collection in a contemporary look comprising a scratch-resistant sandblasted, black ceramised titanium case with a (first for the brand) crown guard. It comes on a black fabric strap – also something the brand has shown for the first time here.
The German silver-based movement made using a really artisanal approach is the real star in this watch, though, and it remains very visible from both sides – thankfully or we would never see its immaculate hand-finishing. Its C.O.S.C.-verified precision comes from this watch’s cylindrical balance spring with two terminal curves as well as a regulating organ with variable-inertia balance and a specially designed collet.
The Chronomètre FB 3SPC collection launched in 2022, won its highly regarded Grand Prix prize in 2023, and now arrives in an unlimited “sporty” edition with a great, easy-to-wear casualness that is a first for this brand.
Bursting onto the scene in 2014, Emmanuel Bouchet’s truly masterful Complication One remained the only timepiece in his small collection (albeit in many variations) until 2025, when he launched the Source line, which illustrates the essence of time as he sees it.
At Geneva Watch Days, Bouchet introduced Aleph Day and Aleph Night in 39 x 9.5 mm platinum or gold cases, two variations of the same watch illustrating time passing in a playful manner using hand-painted elements – a fir tree and a starry sky – set against a stone dial that represents day with chalcedony and night with aventurine. A star positioned at 3 o’clock acts as running seconds, while the fir tree rotates imperceptibly to let the owner know whether it’s day or night, completing a full rotation in 24 hours.
“By juxtaposing the second, the quickest increment in everyday timekeeping, alongside the longest – night and day – you arrive at a dreamlike conception of time. Especially since these increments are not shown in a traditional display; they hide in plain sight. My hope, and the aim of this watch, is to make you think about time. And if it reminds you, gently, to slow down, then it has served its true purpose,” says Bouchet.
Like the Complication One, these new watches made 100% in Switzerland can be personalized according to clients’ wishes.
With its exceptional Mirage Miroir, Berneron continues to develop the design language this boutique brand introduced in 2023, though choosing a new approach for its fourth in-house movement, Calibre 283 – which is where the “Miroir” designation comes from.
Unlike traditional skeletonization or “simply” reversing a movement to create the “mirrored” Miroir timepiece, Berneron opted for a different path by creating an entirely new movement that echoes the design of its previous Calibre 233. Calibre 283, a 100 % Swiss made movement, was created as a mirror image of Calibre 233, but in reality, this open-style wristwatch has a life of its own.
Housed in a 38 x 34 x 7 mm gold case, the hand-finished, hand-wound movement also offers three days of power reserve. It is available on a strap or a beautiful gold bracelet that really turns it into a piece of jewellery.
Last year, at Geneva Watch Days 2025, French boutique brand Trilobe surprisingly unveiled a new collection called Trente-Deux powered by a full in-house movement. That’s a lot for a young independent brand based in the heart of Paris and only founded in 2018. But with his unique self-taught approach and years having worked in finance, founder Gautier Massonneau without a doubt had this all planned out.
At Geneva Watch Days 2026, Trilobe introduced a new version of the quirky watch with its patented rotating-disk dial and wandering hours called Château Trente-Deux in a 39.5 x 10.15 mm stainless steel case with a burgundy dial. And this edition brings together two traditional French crafts: watchmaking and winemaking.
The first 100 pieces of the Trilobe Château Trente-Deux – which is designed, developed, manufactured, decorated, and assembled by the brand right in the heart of Paris – will be engraved and accompanied by a bottle of sophisticated French grand cru red wine selected by Massonneau and his team. After those 100 pieces are sold, Château Trente-Deux – “32” in French, signifying the brand’s address – will join the permanent collection.
In 2019, Greubel Forsey introduced a new case style (then called “sport”), which has thankfully remained in the collection but dropped the moniker for the most part. This case has made Greubel Forsey watches – which can be quite large thanks to their complexity – very wearable.
In case you didn’t know where I was going, I’ll make it clear now: the brand-new Greubel Forsey GMT Balancier Convexe is housed in this new case style. It measures 42.9 x 15.1, but wears much smaller. And it features the amazing three-dimensional globe inherent to the brand’s GMT pieces, a line first introduced in 2015.
This new titanium model naturally contains all the hand-finished Greubel Forsey goodness we’ve come to expect: 496 components in all, including a 30-degree inclined balance with variable inertia, two serially operating fast-rotating barrels providing 72 hours of power reserve, and titanium and German silver plates and bridges that are hand-frosted and -bevelled.
It offers a ton of functionality: a second time zone, a rotating 3D titanium globe showing both universal time and day/night, 24 time zones, summer and winter time (and calls out the cities observing summer time), power reserve display, and hours, minutes, and seconds. Whew.
Collector and watch industry veteran William Massena founded his LAB in 2018 as a creative studio that designs, develops, and produces timepieces, very often in collaboration with other brands. Atelier Wen is an independent watch brand celebrating Chinese craftsmanship and culture. And this seemingly unlikely pairing has made one heck of an amazing timepiece.
The Massena x Atelier Wen Inflection Shuò is a limited edition of 50 watches split between two variations: all white 18-karat gold dials (10 pieces) and dials featuring both 18-karat rose and white gold (40 pieces). Its special attribute is the hand-carved tremblage dial, which is what gave this piece the name “Shuò,” which is Chinese for “sparkling” or “glittering” – which is exactly what this dial made by hand-engraver Coralie Mercier in Switzerland does in sunlight.
The 40 x 10.2 mm tantalum case makes the watch feel significant, weighty, and valuable on the wrist; it has real presence, and the tantalum bracelet only adds to that perception. This watch is powered by the classic Girard-Perregaux Calibre GP03300, which is automatic with a 48-hour power reserve.
Now nine years old, Ming is probably one of the most interesting watch manufacturers out there, always producing something new and interesting that is never like the others. And neither is the 57.05 Comet, which offers a contemporary way to show daylight savings time – something that is so rare on a wristwatch, we can count the watches containing DST displays on one hand.
The 57.05 Comet contains a first-of-its-kind, patent-pending system for adjusting world time to account for daylight saving time (DST). Revisiting one of Ming’s favourite complications in a new 40 x 10.33 mm stainless-steel case with new stepped lugs, it also happens to be their most affordable world time watch to date (CHF 6,950 on a leather strap).
Here’s how it works: the cities featured are grouped according to whether they observe daylight savings time. Cities that don’t observe it remain fixed on the inner bezel, while those that do observe it are positioned on a separate outer bezel. Pushing the outer bezel a single click (15 degrees) moves only the relevant cities forward by one hour against the 24-hour scale. Simple, clear, legible.
Surrounding the central dial is a rotating 24-hour indication, while the centre boasts Ming’s so-called Comet Tail, a repeating grid that creates patterns when you change the position of your eyes. Naturally, there is tons of luminous material involved. Powered by an automatic Sellita 330.M2 calibre, it is limited to only 200 pieces.
During Geneva Watch Days 2026, Czapek & Cie opened its Geneva boutique – and introduced a few different watches in celebration. My favourite of the bunch was the Czapek & Cie Promenade Transparencies Aqua Blue, which launches two years after the green version came out, but looks and feels entirely different.
Its blue fumé gradient dial is created using a metallization process (vapour deposition) in which a pattern of microscopic dots each about eight microns in diameter are applied to the underside of the sapphire crystal. Their density increases toward the perimeter, which produces the gradient. The result is a sapphire crystal that is transparent, but only just. If you look closely, you can still see automatic in-house Calibre SXH7 through it.
The beautiful dial and highly decorated movement are housed in a 38 mm stainless-steel case that is limited to just 38 pieces.